Tuesday, July 10, 2012

Another Orange Prize for Fiction Winner

I read The Song of Achilles (2012) after We Have to Talk about Kevin (2005).  Shriver is more memorable and forceful than Madeline Miller.  I selected the novel as an attempt to have some more depth in classical literature when going off tangent with my Latin scholar son.  Somehow I think he regards my efforts as “Homer for Dummies.”

So why would Miller rewrite or update the story of the Trojan War?  Is her intent to compare and contrast this Middle East war with the more current ones; to display cultural DNA; to show that base motives and degeneration into petty vanity is inevitable?  When I read the write up on the Orange Prize website, it mentioned that Miller threw out her first attempt after five years of writing.  Her “do-over” was to emphasize the voice of Patroclus, Achilles boon friend and homosexual lover.  So is she intentionally overlaying a gays in the military theme?  Where does one draw the line on revisionist history?

But are the writings of the ancient Greeks factual or mythical or hybrid?  Why does my son want his family, friends and students to read these classics, if possible, in their original tongue?  Are these Greek warriors patriot models for the current world?  Do we admire them as military role models, national heroes, literary prototypes? Does this version of Achilles loving Patroclus tarnish his reputation at the expense of making him more identifiable to a contemporary audience?

Sorry, the re-write doesn’t work for me.  Yes, it is better than the epic Troy movie which strikes me as so much computer animation and sweating muscles.  But Miller’s book imposes too much of personal motivation speculation rather than the call of honor, nation and valor.

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